tagged with spoilers

Downton Abbey 2x06

omg poor Lord Grantham. HE STILL DOESN’T KNOW. NOBODY HAS TOLD HIM. I love how fast information travels on this show and yet he still doesn’t know.

Sir Richard needs to be punched in the faaaaaace. Everything that comes out of his mouth is so fucking slimy and awful.

Carson wants to move with Mary because of course he does. He loves her so much! And he wants to help her with her marriage! He can help her by punching Sir Richard in the faaaaaace! Oh but now he doesn’t want to go. Nooooooo!

LORD GRANTHAM THIS IS NO TIME FOR A MID-LIFE CRISIS. PUNCH THIS PLOT DEVELOPMENT IN THE FAAAAAACE.

Miraculous recoveries from disabilities on TV should be punched in the faaaaaaace! What an old, tired trope. Although I love seeing everyone so happy so I can’t be too upset about it. Except that it would be so goddamn refreshing to see a positive portrayal of disability instead of “It’s the end of your liiiife” for once.

Maryyyyyyy. I can see her becoming hard and closed because of all this and I think she should just punch Sir Richard in the faaaace and be awesome instead.

VERA IF YOU RUIN ANNA/BATES FROM BEYOND THE GRAVE I WILL PERSONALLY FIND YOU IN THE AFTERLIFE WHEN I DIE AND PUNCH YOU IN THE FAAAAAACE

Branson, stop trying to make Sybil choose between you and her family. You suck. Personally I am on Team Katniss in this one and Sybil should just do her own thing without Branson. She doesn’t need to elope in order to do different things with her life!

That good luck charm is breaking my heart y’all

Anonymous asked: Do you have a theory as to how Sherlock managed to fake his death?

apriki:

SHIT YEAH I DO! Come one, come all, sit yo ass down and read this theory tbh!!

SPOILERS AND WILD THEORISING AHEAD

OK SO after the Richard Brook reveal (and we can see from Sherlock’s face the very first time John says “Richard Brook” that he knows it means “Reichenbach” and is thus a setup), Sherlock goes to Molly and tells her he thinks he’s going to die:

we can gather from this that Sherlock has a plan in place to fake his own death from now (1:02:35) until the end of the episode. Thus we must assume that everything he does from now on is calculated. 

From here we have a scene with Mycroft and John, during which Sherlock is most probably laying out his plan. When we see him again, he is at St Barts. He then figures out Moriarty’s code:

and then has all the pieces in place. (Has he already figured the code, and is just performing this for John? It’s possible, idk). He then texts Moriarty:

Note that he chooses the place that they should meet - this is clearly because he has something set up at Bart’s. 

John then falls asleep (which seems VERY suspicious to me), and wakes up to a text saying Mrs Hudson has been attatcked:

this has been set up by Sherlock, clearly. He rushes out and Sherlock proceeds to the roof. From here on out everything is a matter of timing. We know that before he even goes to the roof, Sherlock has figured out the code, and basically already knows that if his friends are threatened, keeping Moriarty alive will save them. He doesn’t know that there are assassins/snipers waiting to kill his friends, but this seems to be textbook Moriarty; coupled with the fact that there are a whole crew of hitmen living around Baker St, I don’t think it’s far-fetched to consider that Sherlock would have factored in a danger to his friends into this equation - he seemed certain when he spoke to Molly that he would die, and how else could that be unless Moriarty forced him? Sherlock has gone into this situation knowing almost all of the facts.

Now Sherlock and Moriarty have their confrontation:

They go through the facts and Moriarty tells Sherlock he must kill himself - but we know that Sherlock knows all this already. Therefore we must assume that Sherlock is playing Moriarty; going through the motions and speaking to him. But why? What is he waiting for? The simple answer is John: he’s waiting for John to come back from Baker St, so he see Sherlock “die”. Moriarty and Sherlock look over the edge:

see the buses at the top of the picture? And underneath them is written “bus stop” - this will become important later on. Sherlock then says he “needs a moment” at the edge; Moriarty obliges:

Why would Sherlock need this? He’s not sentimental by nature; he knows he isn’t going to die so he’s not contemplating his fate. If he wanted to simply drag out their confrontation further, he would just keep talking to Moriarty. No, he’s doing something: injecting himself with a drug that will slow down his heart rate. (what he needed Molly for - at least, one of the things he needed, we don’t know).

After he has done - and only after - he turns around and tells Moriarty that he’s beaten him. Moriarty then shoots himself: this is the one thing Sherlock did not factor in. This causes a panic in Sherlock’s brain, heightened by the drug he’s taken. Sherlock then proceeds with his original plan. He calls John, and they talk: Sherlock is clearly emotional, and begins to cry. This is very odd behaviour, and seeing as Sherlock knows that he won’t die, we can say that this, plus the shots that seem to indicate that Sherlock is phsyically processing things slowly, is a side effect of the drug he’s taken. 

Sherlock tells John that he is a fake both because he wants John to tell the world this, so they will believe he is dead, and so his “death” will be a softer blow to John, who he knows will be torn up by it.

When John exits the taxi, manouevers him to be in a precise position: when John tries to move from this place, Sherlock commands him to “stay exactly where you are!”

this is because from where John is standing, he will not be able to see all of Sherlock’s fall - he will see Sherlock jump, but he won’t see him hit the ground. The viewer is shown the same thing: these shots are one after the other:

So we see Sherlock falling, and then a body, but not the actual impact.

John then walks towards the body, and we see clearly from the shot that he has to round a corner to do so:

Notice how the red truck is pulling away? Sherlock has landed on the truck, softening his fall. How can we be sure? First of all, the truck was not present in this shot:

Second of all, as I mentioned before, this is a bus zone, thus making the truck’s presence there illegal (people do this, yes, but this is a television show, everything has a purpose - this is no mistake), and lastly, as we see an aerial shot of Sherlock’s body, the truck is pulling away:

If someone jumped from a building two meters from you, you wouldn’t drive away.

John is then hit by a bicyclist (most likely part of the homeless network):

giving Sherlock the time to make his body look like it is dead (the eyes, the blood, etc - no, there’s no possible way that it’s a dummy or fake body imo). By the time John reaches Sherlock, there is already a crowd of people (doctors from Barts, clearly, and bystanders who are probably also part of the homeless network). They let John close enough to take Sherlock’s pulse:

which has, of course, been altered by the drug he took. The people then seem determined to hold John back:

despite the fact that he says he’s a doctor: why would they do this? They have no reason to, they don’t know John or Sherlock… but clearly they do, and thus we can say that they are a part of the scheme. Sherlock is then rushed into the hospital and John does not see him again.

So yeah. That’s how Sherlock faked his death. (mAYBE)

Now, it is canonical in Tolkien that powerful magical beings imprint their nature on their homes. Lorien under Galadriel is a place of peace and light. Moria, after the Balrog awoke, was a place of terror to which lesser evil creatures were drawn. Likewise, when Sauron lived in Mirkwood, it became blighted with evil and a home to monsters.

And then, there’s Tom Bombadil’s Country.

The hobbits can sense the hatred within all the trees in the Old Forest. Every tree in that place is a malevolent huorn, hating humankind. Every single tree. And the barrows of the ancient kings that lie nearby are defiled and inhabited by Barrow-Wights. Bombadil has the power to control or banish all these creatures, but he does not do so. Instead, he provides a refuge for them against men and other powers. Evil things – and only evil things – flourish in his domain. “Tom Bombadil is the master” Goldberry says. And his subjects are black huorns and barrow wights.

-

km_515: Oldest and Fatherless: The Terrible Secret of Tom Bombadil

O___O

Kate says this can’t possibly be true, but I think I would like Tom Bombadil way more if he were actually an evil spirit. That’d also be more in keeping with the dark themes of The Lord of the Rings, while Bombadil as a benevolent spirit seems more at home in Tolkien’s earlier, more light-hearted works, and wholly out of place in Middle-earth.

gingerhaze:

(click here for full size)
Aaaaaand page 3 of 3! Click here to read the whole comic start to finish!
Page 1 Page 2
Now Gandalf is going to have to call his friends the Eagles to come pick him up…

OH GOD THIS IS BRILLIANT

gingerhaze:

(click here for full size)

Aaaaaand page 3 of 3! Click here to read the whole comic start to finish!

Page 1 Page 2

Now Gandalf is going to have to call his friends the Eagles to come pick him up…

OH GOD THIS IS BRILLIANT

Honestly, though, LOOK HOW MUCH THESE TWO LOVE EACH OTHER. I hope I have a boyfriend who loves me so much that he’ll shoot me so I can be brought back to life on a Resurrection Ship. That…that is a weird thing to say. I’ll just walk away now.

- Mark Watches ‘Battlestar Galactica’: S03E12 – Rapture

griffinsandunicorns:

I love this show.

this family <3

Everything the Doctor does in the pyramid (trying to hug her, grabbing her arm) is designed to get to the moment when River kills him. He says some harsh things to River, like “I don’t want to marry you” and “Worse, it’s stupid. You embarrass me,” but they’re all things designed to nudge events back towards his death. The other option on the table alongside “marry” was “murder”, and the last thing the Doctor wants is all his friends rushing save him in response to River’s distress beacon. Notice the brief flash of impressed pride when River first describes the beacon, before he hides it away and jumps back into angry self-deprecation. The companions are still trying to save the Doctor, which is actually the exact opposite of what he wants, because it’s not part of the plan.

-

bystander_3: The Wedding of River Song: Thoughts upon a Second Viewing

Hadn’t looked at it this way before! I like that explanation better than him just not wanting to marry her.

»
I kind of want to remind people all the good stuff we got in The Wedding of River Song, because I feel like some people are overlooking it entirely.There was fantastic emotional resolution for almost every single character - Amy confronted the woman who stole her baby and dealt with the rage she’s been carrying because of that. River finally got to tell the man she loves how she feels and saved the day because of it. And the Doctor, who all season has been turning further into himself as he became more self-hating and dark, had it shoved in his face that he is loved, that he is needed, and that the universe isn’t ready for him to go yet. And on top of that, we got most of our questions answered with good setup for next season.

-

Mirabile Lectu: Questions and Answers in the Wedding of River Song

Yes! The Doctor realizes that he is loved. Thank you for articulating that.

»
  • The Doctor: What's so dangerous about my future?
  • Maldovar: On the Fields of Trensimore, on the Fall of the Eleventh, when no living creature can speak falsely or fail to answer, a question will be asked. A question that must never ever be answered.
  • The Doctor: "Silence will fall when the question is asked."
  • Maldovar: "Silence must fall" would be a better translation. The Silence are determined that the questions will never be answered, that the Doctor will never reach Trensimore.
  • The Doctor: I don't understand, what's it got to do with me?
  • Maldovar: The first question—the oldest question in the universe hidden in plain sight. Would you like to know what it is?
  • The Doctor: Yes.
  • Maldovar: Are you sure? Very very sure?
  • The Doctor: Of course.
  • Maldovar: Then I shall tell you. But on your own head be it.
I accidentally time and space.

- River Song (via sayoung)

doctorwho:

Hi, Honey, I’m home. And what sort of time do you call this?

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